renoviction

Danielle Rozali

zine / 2022/23

in 2022, i moved into a house in vancouver with a group of friends. seven months later, we were evicted so the house could be torn down and for luxury condos to be built in its place. in the last 2 years, i have lived in 3 different homes that have shared or will share a similar fate. i made this zine as i grappled with the love and grief i felt for my home and the destruction of its spaces and its histories- along with the ongoing fear that there are dwindling few places for young artists like me, in this city and others.

renoviction encapsulates my gratitude, fear and grief, and my best memories of the house i once called home through illustrations of its spaces and a poem about my time there.
a close up of page 9 of renoviction, showing the house from the front and the sky behind it.


the house formerly at 2252 east 11th avenue
lies demolished in a city called vancouver,
and is now remembered
only in fragments.
i hope you
enjoy your visit through
these pages,
which are all that remain
of the home i loved.

page 1 of renoviction. a front view of the house and its garden in bloom, with a view up its front path and steps of its front door and open front windows. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the bottom left, which is transcribed to the right of the image.

(1)

moments pass slowly between
these faded green walls
every spot a corner
dim and full
each room with its own
sun bleached carpets and
curtains
the living room with its
half-jewelled chandelier glinting
off our piled books and
mismatched furniture
our plants and pens
and combined dust
our new clutter on old wear

page 2 of renoviction. view of the back balcony. a tree without leaves, roof and powerline can be viewed from beyond the railing. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the middle right, which is transcribed to the right of the image.

(2)

we pile our new paint
haphazardly on old wear
tear the mossy awning of
the greying balcony
fill this place with all of our noise
thickening the air with strains of
music and laughter,
weeping and laundry,
stomping and dishes.
we live here,
like the people before us lived here,
and make it home
until we can’t anymore.

page 3 of renoviction. a group of people sit around a table, smiling. on the table are half-full glasses, cans and food containers with chopsticks. in the centre of the table there is a tall stack of cans. a plant hangs in the upper left corner and a dark window is seen behind the people on the left of the image. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the middle left, which is transcribed to the right of the image.

(3)

i mourn it now, before it’s gone-
and i imagine the home
we’ve made
in tandem with the one we could’ve made,
later.
i remember our first night here,
with our mattress on the floor
the wrong way round
and being giddy
with the smell of new paint
in the new darkness
and laughing, sighing
into the fresh side of my pillow.
and i remember it as well as
the barbecue i wanted to get for
the backyard, the wicker furniture
we would have sat on
late into the evening as the sun went down
and our voices carried the crows that pass
all the way to port moody.

page 4 of renoviction. a strainer full of strawberries and a vase with a single flower and leaves sit on a kitchen counter. behind the counter, a window shows a view of the backyard fence and empty garden. other miscellaneous items are on the right on the counter. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the bottom right, which is transcribed to the right of the image.

(4)

i can see it now,
in between all the formless
detritus of everything
that does not yet have a spot-
we would have found them spots.
we would have built shelves and
painted murals, held parties and
spilled things on the carpet.
we would have
cooked dinners and fought,
and bought more books to read
on our shitty craigslist-bought couch until it sunk into the
carpet entirely and we got a new
one that someone else wanted to
get rid of.

page 5 of renoviction. from the living room, looking into the kitchen. a person sits on the kitchen counter, with miscellaneous items on the counter and floor beside. behind them is a dark window. there is a shelf to the left of the doorway with a lava lamp, and above it there is a light switch and small paintings. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the middle top, which is transcribed to the right of the image.

(5)

we’d carry it up the front steps,
laughing and huffing
under its weight
and drop it unceremoniously
right in front of the tv.
we’d have lunch,
and the world would keep on turning
as we did the dishes and then made dinner
and did the dishes and
then went to bed and then to work.

page 6 of renoviction. densely packed bookshelves surrounded by two curtained windows. in front of the shelves is a small drum set and a chair. beside them is a large armchair with miscellaneous items on it. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the top left,  which is transcribed to the right of the image.

(6)

lately, the garden has been growing.
we moved in during the winter,
carrying all of our things
over a layer of snow and slipping
the whole way up
our new old stairs.
i couldn’t have pictured
what it looks like now-
the bloom of its tulips
and red flowers,
its dense leaves
and ferns and bushes.
i think we all thought these plants
were dead when this unfamiliar ground emerged from the ice
we’d moved onto,
that we’d be here long enough
to replace what looked like
weeds at first.

page 7 of renoviction. an amp, electric guitar and several cords and guitar pedals lean against a densely layered bookshelf. against the opposite wall, an ornamental mirror leans and reflects someone's back in an adjacent room and part of a bedframe. beyond the mirror are two doors, one slightly open and one closed. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the bottom right, which is transcribed to the right of the image.

(7)

the light filters in grey-mauve
when it rains,
the blinds i called ‘old-lady chic’
when we moved in rippling colour over the blank slate of clouds streaming in
through thin glass windows.
we always forget to turn the
chandelier’s orangey lights on
until late in the evening,
and by then
we’re all sitting in purple
twilight together,
waiting for dinner.

page 8 of renoviction. the ajar front door, showing views of the railing of the front stairs and parts of the garden. a shelf covered in miscellaneous objects and books sits to the left, with many shoes and part of an electric guitar in front of it. to the right, an ottoman also has shoes and miscellaneous objects surrounding it. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the top left, which is transcribed to the right of the image.

(8)

we could’ve at least added to it.
we would have, i know it.
i wonder if
they’ll keep the garden,
carrying over the hard work of
whoever planted the lush green
growth before we came.
i doubt it- i think even these red flowers, these lace-like ferns, will join our drawings and stains and the tracks we wore into the
carpet with our pacing.
they’ll join the torn awning and
the dusty mauve blinds, the toilet that squeaks once an hour and the low chandelier we all walk into, scattering its half-missing jewels.
these will join
these cool green walls,

page 9/the end of renoviction. a view of the front of the house with the garden much more visible than before, with the front path and stairs fully obscured by the flowers and foliage. the front door is open and the curtains and densely packed bookshelves from page 6 are visible through the window. there are some light clouds behind the house. the image is in densely detailed in monochromatic blue on white, with all details in the same colour. text is displayed in the bottom left, which is transcribed to the right of the image. the text is displayed with one word per line, forming a vertical column.

(9 / end)

and
they
will
become
rubble
where
our
home
once
stood.

Danielle Rozali

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My name is Danielle Rozali, and I am an interdisciplinary artist and writer on the unceded territories of the Musqueum, Squamish, and Tseil-Waututh Nations. I work conceptually, experimentally, and often collaboratively, meshing many mediums to explore topics of heritage, diaspora, multiraciality, queer identity, trauma (generational and otherwise) and community. By approaching projects conceptually, I have been able to develop a diverse practice that spans many mediums, such as drawing, painting, printmaking, writing and curation- though the list grows every day.

I hope to soon publish a chapbook of poetry called desire lines,continue collaborating as a studiomate at the James Black Gallery, and work within the general vancouver arts community as an artist, writer and curator.

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